A woman carries the world on her head
in the form of a bag of rice,
a bucket of water,
a great load of thatch to roof a house,
Her spine is a sturdy deliverance
from evil, her arms are loose and purposeful,
her baby wrapped in bright cloth on her back,
She can stop by the side of the road and talk
She can stop by the side of the road and talk
for as long as it takes you to take her picture,
I loved the novelist, Malin Alegria's, workshop.
to fold a two hundred-kwatcha note
into her rough palms
which have never gripped a steering wheel
or a credit card, which have never held a latte in a paper cup
or maneuvered a dirt-sucking vacuum through all the rooms
of a carpeted house. You know her and you do not
know. You see her
walking, with a log the size of a man
laid lengthwise on top of her head,
a log which would crush
the small bones of your neck
to powder, and though it is not
in your power to change much
if anything, here, you long to know more
watching her walk, without fanfare,
into the world,
goats, chickens, trees, sky -
her burden perfectly balanced,
the world on top of her head,
the world inside.
Alison Luterman
I loved the novelist, Malin Alegria's, workshop.
Jan
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